{"id":954,"global_id":"chs.snuac.ac.kr?id=954","global_id_lineage":["chs.snuac.ac.kr?id=954"],"author":"2","status":"publish","date":"2024-01-30 12:04:06","date_utc":"2024-01-30 12:04:06","modified":"2024-01-30 12:04:06","modified_utc":"2024-01-30 12:04:06","url":"http:\/\/chs.snuac.ac.kr\/?tribe_events=22-7-k-pop-dance-fandoming-yourself-on-social-media-chuyun-oh","rest_url":"http:\/\/chs.snuac.ac.kr\/index.php?rest_route=\/tribe\/events\/v1\/events\/954","title":"[22-7] K-pop Dance: Fandoming Yourself on Social Media (Chuyun Oh)","description":"

Presenter<\/strong>
\nChuyun Oh (San Diego State Univ.)<\/p>\n

Discussants<\/strong>
\nMyoung-Sun Song (Illinois State Univ.)
\nChung-kang Kim (Hanyang Univ.)<\/p>\n

Moderator<\/strong>
\nWonjung Min (The Center for Hallyu Studies)<\/p>\n

 <\/p>\n

K-pop Dance: Fandoming Yourself on Social Media<\/strong><\/p>\n

\ubd81\ubbf8 \ucd5c\ucd08\ub85c \ucf00\uc774\ud31d \ub304\uc2a4\uc640 \uc18c\uc15c \ubbf8\ub514\uc5b4\uc5d0 \ub098\ud0c0\ub09c \ucf00\uc774\ud31d \ub304\uc2a4 \ud32c\ub364\uc758 \uc9c4\ud654\ub97c \ub2e4\ub8ec \uc774\ub860 \uc11c\uc801\uc774\ub2e4. \ubbf8\uad6d\uc758 \ub274\uc695, \uce98\ub9ac\ud3ec\ub2c8\uc544, \uadf8\ub9ac\uace0 \uc11c\uc6b8\uc5d0\uc11c 40\uc5ec\uba85\uc758 \uc544\ub9c8\ucd94\uc5b4 \ud32c \ubc0f \uc804\ubb38 K-pop \ub304\uc11c\ub4e4\uacfc \ud568\uaed8 \ud55c 5\ub144\uac04\uc758 \ubbfc\uc871\uc9c0\ud559\uc801 \ud604\uc7a5 \uc5f0\uad6c, \uc778\ud130\ubdf0, \uc800\uc790\uac00 \uc9c1\uc811 \ucc38\uc5ec\ud55c \uc548\ubb34 \ubc0f \uacf5\uc5f0 \uacbd\ud5d8\uc744 \ubc14\ud0d5\uc73c\ub85c 1980\ub144\ub300\ubd80\ud130 2020\ub144\ub300\uae4c\uc9c0 K-pop \ub304\uc2a4\uc758 \uc9c4\ud654\ub97c \ucd94\uc801\ud55c\ub2e4. 2020\ub144\ub300 \u2018\uc81c\uc2a4\ucc98\ud615 \ud3ec\uc778\ud2b8 \uc548\ubb34\u2019 (gestural point choreography)\ub85c \uc815\ucc29\ub41c \ucf00\uc774\ud31d\uc740 \uc785\uccb4\uc801\uc774\uace0 \uc7a5\uc2dd\uc801\uc778 \uc0c1\uccb4 \ub3d9\uc791\uacfc \ubcc0\ub355\uc2a4\ub7fd\uace0 \ub2e4\ucc44\ub86d\uac8c \ub9e4\ub825\uc801\uc778 \uc5bc\uad74 \ud45c\uc815\uc744 \uac15\uc870\ud558\ub294 \u2018\uc18c\uc15c \ubbf8\ub514\uc5b4 \ub304\uc2a4\u2019 (social media dance)\uc758 \ud2b9\uc9d5\uc744 \ub300\ubcc0\ud55c\ub2e4. \ucf00\uc774\ud31d \ucee4\ubc84\ub304\uc2a4\ub294 \uc804\uc138\uacc4 \ud32c\ub4e4\uc774 \uc6d0\uace1\uc758 \uc548\ubb34, \ucda4, \ud45c\uc815, \uc758\uc0c1\uc744 \ub611\uac19\uc774 \ubaa8\ubc29\ud55c \uac83\uc73c\ub85c \uc5ed\uc0ac\uc801\uc73c\ub85c \ubfcc\ub9ac \uae4a\uc740 \ub304\uc2a4 \ud32c\ub364\uacfc \ubb38\ud654\uac04 \ucee4\ubba4\ub2c8\ucf00\uc774\uc158\uc758 \ud55c \uc591\uc2dd\uc744 \ubc18\uc601\ud55c\ub2e4. \ucda4\uc740 \ubb34\uc6a9\uc218\uc758 \ubab8\uacfc \ubd84\ub9ac\ub418\uc9c0 \uc54a\ub294\ub2e4. \ud32c\ub4e4\uc774 \ucf00\uc774\ud31d \uc544\uc774\ub3cc\uc758 \ucda4\uc744 \ub530\ub77c\ud560 \ub54c \uc774\ub4e4\uc740 \uc544\uc774\ub3cc\uc758 \ubab8\uc744 \ubaa8\ubc29\ud558\uace0 \uc6b0\uc0c1\ud654 \ud568\uc73c\ub85c\uc368, \uacb0\uad6d \uc790\uae30 \uc790\uc2e0\uacfc \uc790\uc2e0\uc758 \ubab8\uc744 \u2018\ud32c\ub354\ubc0d\u2019 (fandoming)\ud558\uace0 \uc788\uc74c\uc744 \uc2dc\uc0ac\ud55c\ub2e4. \ucf00\uc774\ud31d \ub304\uc2a4\uc640 \ub304\uc2a4 \ud32c\ub364\uc5d0 \ub300\ud55c \uccab \uc774\ub860\uc11c\uc778 \uc774 \ucc45\uc740 \ub304\uc2a4 \uc11c\ubc14\uc774\ubc8c \ud504\ub85c\uadf8\ub7a8, \ucef4\ud53c\ud2f0\uc158, \uad11\uace0, \ud2f1\ud1a1 \ub304\uc2a4 \ucc4c\ub9b0\uc9c0, \ubc29\uc1a1\ub304\uc2a4 \ud559\uacfc\uc758 \ud655\uc7a5\uc5d0 \uc774\ub974\uae30\uae4c\uc9c0 \ucda4 \uc911\uc2ec\uc758 \ucf00\uc774\ud31d \ubc0f \ud55c\ub958 \ub300\uc911\ubb38\ud654 \uc5f0\uad6c\uc640 \ubbf8\ub514\uc5b4\ud559, \ud55c\uad6d\ud559, \uacf5\uc5f0\ud559 \ud559\uc0dd\uacfc \ud559\uc790\ub4e4\uc5d0\uac8c \uadc0\uc911\ud55c \uc790\ub8cc\uac00 \ub420 \uac83\uc774\ub2e4.<\/p>\n

This book is about K-pop dance and the evolution and presence of its dance fandom on social media. Based on five years of ethnographic fieldwork, interviews, choreography, and participation-observation with 40 amateur and professional K-pop dancers in New York, California, and Seoul, the book traces the evolution of K-pop dance from the 1980s to the 2020s and explains its distinctive feature called \u2018gestural point choreography\u2019 \u2013 front-driven, two-dimensional, decorative and charming movements of the upper body and face \u2013 as an example of what the author theorizes as \u2018social media dance.\u2019 It also explores K-pop cover dance as a form of intercultural performance, suggesting that, by imitating and idolizing K-pop dance, fans are eventually \u2018fandoming\u2019 themselves and their bodies. Presenting an ethnographic study of K-pop dance and its fandom, this book will be a valuable resource for students and scholars of Media Studies, Korean Studies, Performance Studies, and Dance.<\/p>","excerpt":"

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